Chase Rice

With more than 2.6 million albums sold and over 2.7 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With the critically acclaimed album I Hate Cowboys & All Dogs Go To Hell crafted in his rural Tennessee home-turned-studio available everywhere now, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the Western way of life. The new music, including his latest single “Bad Day To Be A Cold Beer” plus standout tracks “Oklahoma” and “Bench Seat,” serves as a follow up to his three-part project, The Album, which featured his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen.” and the Platinum-certified Top 10 hit “Lonely If You Are.”   This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the 3x Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice consistently sells out venues on his own headlining tours, including the recent Get Western Tour in support of his new music, and he will join Dierks Bentley’s Gravel & Gold Tour this summer.   For more information, visit ChaseRice.com and follow Rice on Facebook, Twitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.

Boys Like Girls

BOYS LIKE GIRLS ignite this new era with “Blood and Sugar”. On the track, neon synths wrap around a stomping guitar as the chorus cleverly reminds, “Even though the girl’s a look-er, we’re only blood and sugar, right?”. With a swaggering bridge punctuated by warbling synths and howls straight-the-heart, it’s classic Boys Like Girls with an infusion of experience and wisdom. “I think of it as a relationship with a bunch of empty calories,” Johnson reveals. “You’re talking about how human beings are just blood and sugar. You might fear this girl, but we’re all just skin and bones, so why can’t you move on? Sonically and dynamically, I hope it’s like getting shot out of a cannon ten times. It’s something we can’t wait to go out and play.”  

Lanie Gardner

Lanie Gardner’s extraordinary journey is a testament to her unmatched talent and unwavering determination, from her roots in the Appalachian Mountains to international stages. A gifted storyteller and songwriter from an early age, Lanie crafted a distinctive blend of classic rock and country influences that quickly set her apart. Her career skyrocketed after her cover of Fleetwood Mac’s “Dreams” went viral, approaching 60 million views. Holding her own with her debut album A Songwriter’s Diary, which was released late 2024, the 10-track collection, written entirely by Gardner, invited listeners on a deeply personal journey through her roots and creative beginnings. Fast forward, she’s released the fiery “Buzzkill” and vocally stunning “Concrete Cowboy,” marking a bold new chapter in her anthemic and distinct sound. Acclaimed by Billboard as “a true artist with staying power" and by MusicRow as “one of the most exciting rising stars today,” Lanie’s rise has been marked by significant milestones, including being named by the Recording Academy and Amazon Music as a “2025 Artist to Watch” and to CMT’s Next Women of Country: Class of 2025. From being featured on the movie soundtracks for Queen of the Ring and Twisters to touring with the Jonas Brothers, Jelly Roll, Cody Johnson and ZZ Ward, Lanie is on the fast-track to stardom. Most recently, she collaborated with country superstar Thomas Rhett and Warren Zeiders, being featured on their just-released tracks “What Could Go Right” and “Love In Letting Go,” respectively.  The momentum continues as she wraps Corey Kent’s “Black Bandana” Tour, hits iconic country music festivals such as Stagecoach, CMA Fest and Carolina Country Music Festival, and prepares for Gavin Adcock’s “Need To” Tour this fall. Her soulful sound and captivating stage presence have earned her widespread acclaim and a dedicated fan base. As she continues her ascendancy, Lanie remains a genre-defying artist.

Silent Theory