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The Grand Theater

Description

Elegant theater featuring a wide variety of shows, from music to dance, plus plays and comedy performances.

Events

February 2026
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02/24/2026, 07:30 PM CST
Judy Collins

50 years ago, singer-songwriter Stephen Still met singer-songwriter JudyCollins, known for her piercing ocean blue eyes. Their tumultuous loveaffair would later be immortalized by Stills with his composition “Suite:Judy Blue Eyes,” performed by Crosby, Stills & Nash on their landmarkdebut. Both artists would go gone to shape modern music with visionaryapproaches, but Stills and Collins’ short fiery union remains atransformative era for the two artists.This summer, the two icons of folk will celebrate the golden anniversary oftheir formative time together. Their joint summer tour marks the first time everStills and Collins have been onstage together. For this once in a lifetimeexperience, the two music legends will pull from their rich catalogs, debutsongs from their upcoming album, due out Summer of 2017, and share warmand intimate stories from their journeys and the1960s folk and Laurel Canyonscenes they helped build.Stills and Collins met in 1967 and dated for two years. Stills wrote and demoedhis legendary love song to Collins right after he left Buffalo Springfield, beforehe joined CSN. “Suite: Judy Blue Eyes” is a five-section romantic epicbrimming with heartfelt sincerity. The song has been ranked #418 in RollingStone’s 500 Greatest Songs Of All Time Poll.Stills is known for his work with Buffalo Springfield, Crosby, Stills & Nash,and his solo work. In addition to “Suite: Judy Blue Eyes,” Still is best knownfor the hits “ For What It’s Worth” by Buffalo Springfield and “Love The OneYou’re With” from his solo debut, Stephen Stills. He’s a multi-instrumentalist,composer, and ranked #28 in Rolling Stone Magazine’s “The 100 GreatestGuitarists Of All Time.” He also has the added distinction of being the firstartist to be inducted into the Rock N’ Roll Hall of Fame twice in one night (forhis work with CSN and Buffalo Springfield).Collins is known for her eclectic palette as a solo artist, melding folk, rock,classical, and jazz into a singular aesthetic. She’s earned five Grammynominations including one in 2017 and one Grammy win. Outside of music,Collins has published two memoirs, one novel, and, in 1975, was nominated foran Academy Award for the documentary Antonia: A Portrait of the Woman.Collins is also a lifelong activist.

March 2026
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03/11/2026, 07:00 PM CDT
Gaelic Storm

Chart topping Celtic band: 7 times billboard #1 world music, on tour 200+ days a year for 20+ years! More fun than a barrel of drunken monkeys.   It’s hard to imagine a band just coming into their own after 20 years of success, but that’s exactly what makes a true anomaly. This multi-national, Celtic juggernaut grows stronger with each live performance, and as you can imagine, after two decades and over 2000 shows, it is a true force to be reckoned with. With their latest release, Go Climb a Tree, their music has never sounded more representative of themselves as musicians and as live performers.'   The band attributes their continued success to their fanatic audience, and it’s a well-diversified crowd for sure. The country-music folks adore the storytelling, the bluegrass-heads love the instrumentals, Celtic fans love their devotion to tradition, and the rockers simply relish the passion they play their instruments with. Each band member, in their own way, expresses a deep gratitude for their fans, but it’s best summed up in the words of Patrick Murphy: “The fans are the ones that have given us this life. We’re here for them.”   On Go Climb a Tree, co-founders of Gaelic Storm, Steve Twigger and Patrick Murphy, along with longtime friend and co-writer Steve Wehmever, are again at the helm of song-writing duties. The album has everything —party drinking songs (“The Beer Song”), patriotic anthems (“Green, White and Orange”), beautiful folk songs (“Monday Morning Girl”), spritely instrumentals “”The Night of Tomfoolery”), perfectly poppy songs (“Shine On”), and even a raucous pirate song (“Shanghai Kelly”). When speaking of the overall concept of the album, Patrick Murphy gives some insight: “With all the craziness and division in the world, we wanted to make an album about ‘contemplative escapism.’ Go Climb a Tree certainly isn’t about dropping out of the conversation, it’s just about taking a short hiatus to recharge the batteries before you take on the world again.”   Gaelic Storm takes a true blue-collar, hard-nose approach to touring, consistently traveling the US and internationally over 200 days a year, forging a unique path in the Celtic music world. “You have to see us live. We are the true working-mans’ band,” says Ryan Lacey, who joined the lineup in 2003. “We still, and most likely always will, tour most of the year, and that’s how we constantly hone our craft.”   The dedication to live shows date all the way back to the mid-1990s, when Gaelic Storm kicked off its career as a pub band in Santa Monica, California. Due to their discovery at the pub, by the end of the decade, the musicians had appeared in the blockbuster film Titanic (where they performed “Irish Party in Third Class”). This laid the groundwork for a career that would eventually find them topping the Billboard World Chart six times, making appearances at mainstream music festivals, and regularly headlining the largest Irish Festivals across the country, all the while gaining a reputation as a genre-bending Irish rock band, whose songs mix Celtic traditions with something uniquely creative.   Looking to the future, Gaelic Storm is excited about what lies ahead. They’ve added a new fiddle player, Katie Grennen, and she has affectionately become the “purple squirrel” of the band, meaning she is the perfect new addition. Pete Purvis who joined the band in 2005 said, “With the addition of Katie, the band has never sounded better, we’re gelling on a whole new level, and the idea of sharing these new songs with our fans is exciting!”

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03/12/2026, 07:30 PM CDT
The Marshall Tucker Band

Doug Gray – lead vocals   B.B. Borden – drums   Tony Black – bass / vocals   Marcus James Henderson – keyboards / saxophone / flute / vocals   Chris Hicks – guitar / vocals   Rick Willis – guitar / vocals   Whenever you drop that proverbial quarter into the virtual jukebox of songs that always manage to reach down and touch your soul the exact moment you cue them up, you inevitably find certain artists have a deeper resonance than others when it comes to providing the soundtrack that mirrors the highs and lows of your own life. The Marshall Tucker Band is one such group that continues to have a profound level of impact on successive generations of listeners who’ve been searchin’ for a rainbow and found it perfectly represented by this tried-and-true Southern institution for over five decades. “I’ve been in tune with how music can make you feel, right from when I was first in the crib,” observes lead vocalist and bandleader Doug Gray, who’s been fronting the MTB since the very beginning. “I was born with that. And I realized it early on, back when I was a little kid and my mom and dad encouraged me to get up there and sing whatever song came on the jukebox. It got to the point where people were listening to me more than what was on the jukebox! There’s a certain frequency I found I could share, whether I was in front of five people or 20,000 people. And once that frequency is there, everybody will listen.”   The Marshall Tucker Band came together as a young, hungry, and quite driven six-piece outfit in Spartanburg, South Carolina in 1972, having duly baptized themselves with the name of a blind piano tuner after they found it inscribed on a key to their original rehearsal space — and they’ve been in tune with tearing it up on live stages both big and small all across the globe ever since. Plus, the band’s mighty music catalog, consisting of more than 20 studio albums and a score of live releases, has racked up multi-platinum album sales many times over in its wake. A typically rich MTB setlist is bubbling over with a healthy dose of indelible hits like the heartfelt singalong “Heard It in a Love Song,” the insistent pleading of “Can’t You See” (the signature tune of MTB’s late co-founding lead guitarist and then-principal songwriter Toy Caldwell), the testifying travelogue warning of “Fire on the Mountain,” the wanderlust gallop of “Long Hard Ride,” and the unquenchable yearning pitch of “Ramblin’,” to name but a few. (See, we can hear you singing along to all of them in your head right now as you read this.)   Indeed, the secret ingredient to the ongoing success of The Marshall Tucker Band can be found within a cauldron of musical styles that mixes together equal parts rock, blues, jazz, country, soul, and bluegrass. In essence, it’s this inimitable down-home sonic bouillabaisse that helped make the MTB the first truly progressive Southern band to grace this nation’s airwaves — the proof of which can be found within the gritty grooves and ever-shifting gears of “Take the Highway,” the first song on their self-titled April 1973 debut album on Capricorn Records, The Marshall Tucker Band. “We had the commonality of having all grown up together in Spartanburg,” explains Gray about his original MTB bandmates, the aforementioned guitar wizard Toy Caldwell and his brother, bassist Tommy Caldwell, alongside rhythm guitarist George McCorkle, drummer Paul T. Riddle, and flautist/saxophonist Jerry Eubanks. “The framework for Marshall Tucker’s music is more like a spaceship than a house,” Gray continues, “because you can look out of a lot of windows and see a variety of things that show where we’ve been and what we’ve done, and how we’ve travelled through time to bring those experiences out in all of our songs.”   The Marshall Tucker Band’s influence can be felt far and wide through many respected contemporaries and the artists who’ve followed the path forged by their collective footsteps and footstomps. “MTB helped originate and personify what was to become known as Southern rock, and I was privileged to watch it all come together in the ’70s, night after night,” confirms the legendary Charlie Daniels. “In fact, The Charlie Daniels Band has played more dates with The Marshall Tucker Band over the past 45 years than any other band we’ve ever worked with. Even after all these years — after the tragedies, the miles, the personnel changes, and the many developments in the music business — MTB and CDB are still a viable package that offers an entertaining and crowd-satisfying show.” Daniels adds that he never gets tired of seeing his MTB brothers on the road: “Whenever Doug Gray walks into my dressing room with that big ol’ smile of his and then we hug each other and sit and talk for a while, the evening is complete.”   “I remember seeing Marshall Tucker and The Outlaws play together in Jacksonville many years ago, when I was just a kid,” recalls Lynyrd Skynyrd lead singer Johnny Van Zant, who faithfully watched the MTB open for his band on a few lengthy, fruitful runs during the 2018 portion of Skynyrd’s still-in-progress The Last of the Street Survivors Farewell Tour. “And I heard them all over the radio back then too. They were just so cool and so unique that I fell in love with the band, and I also fell in love with the music. Having them open for us on all those dates was like a dream come true, and they’re still as good as I’ve ever seen them. It brought back a lot of memories for me, because I really looked up to those guys when I was first starting out.”   Adds Ed Roland, the lead vocalist and chief songwriter for Collective Soul, “The Marshall Tucker Band had a big influence on me growing up — and they still do.” Roland, who’s lived the majority of his life in and around Atlanta, also proudly points out that his band’s biggest hit, “Shine,” owes a clear debt to the musical structure of “Can’t You See,” and he’ll often start off by singing the opening line to that song — “I’m gonna take a freight train” — whenever Collective Soul performs “Shine” live. “We don’t want to stray from what we grew up listening to,” Roland continues. “I think that’s something important for people to hear. It’s just who we are, and I don’t think we should run from it. Hopefully, people see that connection to the bands we love like Marshall Tucker in our music.”   Though Doug Gray recently turned 70 years young, he sees no end to the road that lies ahead for The Marshall Tucker Band, whose legacy is being carried forward quite reverentially by the man himself and his current bandmates, drummer B.B. Borden (Mother’s Finest, The Outlaws), bassist/vocalist Tony Black, keyboardist/saxophonist/flautist/vocalist Marcus James Henderson, guitarist/vocalist Chris Hicks, and guitarist/vocalist Rick Willis. “You know, I think it was Toy Caldwell’s dad who said, ‘There’s more to gray hair than old bones,’ and we still have a lot of stories yet to tell,” Gray concludes. “People ask me all the time what I’m gonna do when I turn 80, and I always say, ‘The same thing that we’re continuing to do now.’ We’re road warriors, there’s no doubt about that — and I don’t intend to stop.” May the MTB wagon train continue running like the wind on a long hard ride for many more years to come. One thing we absolutely know for sure: If you heard it in a Marshall Tucker Band song, it can’t be wrong.           —Mike Mettler, this ol’ MTB chronologist

Contacts

401 N 4th St, Wausau, WI 54403, USA