Hugo - The Ultimate Journey Tribute

The Robert Cray Band

Open ears and an open mind are the essence of singer, guitarist and songwriter Robert Cray’s approach to writing, recording and playing music. He has created a sound that rises from American roots and arrives today both fresh and familiar. In just over 40 years Cray and his band have recorded 20 studio releases, 15 of which have been on the Billboard charts, and played bars, concert halls, festivals and arenas around the world. There are five Grammys with Cray’s name on them, and he has a suitcase full of W.C. Handy blues awards. Four years ago Cray was inducted into the Blues Hall of Fame. On August 28 the Mascot Label Group celebrated the vibrancy of the Cray Band’s rocking rootsy blues, soul-filled ballads and timeless R&B with the release of 4 Nights of 40 Years Live. Through clips of concerts from the 80s and four recent shows, the evolution from the Cray Band unfolds. Comments by Cray and band members add depth. And interviews with Eric Clapton, Keith Richards, Bonnie Raitt, Jimmie Vaughan and Buddy Guy put the band in perspective. The 3- piece set will be available in a variety of formats – 2 LPs + Mp3, 2 CDs + DVD, Blu-Ray + 2 CDs and digitally. The multimedia 4 Nights of 40 Years Live is a testament to the band’s longevity and vitality. The 80s concert footage is exuberant and shows the charisma of Young Bob (a reference in song that Cray makes to himself in homage to Muddy Waters calling himself Young Muddy) as a guitarist, vocalist and band leader. The live performances at recent concerts capture seasoned musicians bringing a vivid, illustrative past into the moment. Cray’s Stratocaster solos sing, cry and take on the funk. His voice has grown richer and wiser yet remains sweet. it is extraordinary for musicians to thrive over four decades, and the Robert Cray Band is just that, an extraordinary story of success. On the DVD Texas blues and R&B artist Jimmie Vaughan sums up Robert Cray’s singularity and success simply when he says, “He’s got one foot in the future and one foot in the old stuff.”

Lyle Lovett and John Hiatt

A singer, composer and actor, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling, the Texas-based musician fuses elements of country, swing, jazz, folk, gospel and blues in a convention-defying manner that breaks down barriers. Whether touring as a 'Duo' or with his 'Acoustic Group' or his 'Large Band,' Lovett's live performances show not only the breadth of this Texas legend's deep talents, but also the diversity of his influences, making him one of the most compelling and captivating musicians in popular music. Since his self-titled debut in 1986, Lyle Lovett has evolved into one of music's most vibrant and iconic performers. Among his many accolades, besides the four Grammy Awards, he was given the Americana Music Association's inaugural Trailblazer Award, and was named Texas State Musician. His works, rich and eclectic, are some of the most beloved of any artist working today.

Everclear

Art Alexakis – Vocals, GuitarDave French – GuitarFreddy Herrera – BassBrian Nolan – Drums Considering Everclear has written and recorded some truly iconic ’90s alt-rock hits, it would be all too easy these days for the band to be a victim of its past successes, relegated to performing as a glorified jukebox, existing to satisfy the nostalgic cravings of Gen Xers everywhere. But singer-guitarist Art Alexakis isn’t about to start phoning it in now. Although the band hasn’t released a new studio album since 2015’s triumphant Black Is The New Black, Everclear continues to tour actively, in conjunction with a series of past-release anniversary dates and the annual Summerland Tour, which Alexakis created and has been running since 2012, featuring a rotating cast of ’90s alt rock favorites. And while it’s a virtual surety that no Everclear gig is complete without a rendition of “Santa Monica” and “Father of Mine,” lately the band has found that exploring the full range of past material—especially the “deep cuts”—not only gives fans a rare treat, it also injects new life into the band’s live dynamic. “By mixing it up and digging into the catalogue, it still makes it fun and relevant for us, and I think for the fans as well,” says Alexakis. “It’s still important to play the hits, but by playing those other songs as well, it makes it all seem more vibrant and real. Even though I recorded some of those songs 20 years ago, I haven’t played them in a long time, so it’s like reinventing the wheel. I’m having more fun now than I have in years. I think all of us are.” Formed by Alexakis in 1991 in Portland, Oregon, Everclear has enjoyed a lengthy career spanning 11 studio releases, numerous videos, thousands of shows and accolades that include a 1998 Grammy nomination. Like a true survivor, Alexakis has soldiered on through multiple lineup changes over the years: During the “classic” era, the band also included Craig Montoya on Bass and Greg Eklund on drums; the current touring lineup features longtime members Dave French (guitar) and Freddy Herrera (bass), as well as drummer Brian Nolan (also with American Hi-Fi), who has performed with Everclear on multiple past tours. This incarnation of the band will hit the road for the 2018 Summerland Tour. As in prior years, Everclear will headline the latest installment of the festival, this time supported by Marcy Playground and Local H, and also featuring a special DJ set Alexakis will contribute, which honors the ’90s in a refreshingly old-school way. “The Summerland Tours are all unique; they all have a different kind of feel to them,” says Alexakis. “I think this year will be really cool, because it’s usually guitar-based, but Marcy Playground is more acoustic-based, yet they still rock in their own way. Local H is just two guys, meanwhile, and they’re great, too. So, it’s just a different look at ’90s alternative this year…different facets of what it’s about. With Everclear, we’re going to play the hits we always play, but we’re also going to mix it up. Every night will be a little different; there’ll be a few surprises every show.” For Alexakis and Co., it’s a continuation of a hectic couple of years. Everclear spent May and June of 2017 touring in honor of the 20th anniversary of So Much For The Afterglow, the band’s massively successful sophomore major-label release. The 40-date run was an incredibly emotional and personally satisfying experience for Alexakis, who was able to perform obscure cuts from that time period for the first time in many years. Connecting with fans in that setting also reinforced the lasting impression the album has made. “The tour was phenomenal. It left me and the band stunned at how important that record was to so many people, and to be a part of that, both then and now,” says Alexakis. “The legacy of it is still vibrant for so many people. It was great just watching people react when we were playing not just the hits, but deeper songs on that record. I always liked the deeper songs—they were usually my favorite songs—and when the band would play those, it would be really exciting and important for me. That was fun, seeing that reaction, and just talking to people after the show.” Prior to that, Everclear experienced a career resurgence thanks to 2015’s Black Is The New Black, which not only proved the band could still rock, but also that Everclear remains creatively relevant, decades after their platinum years. As is common for many artists these days, Black didn’t set records for traditional album sales, but the release did see significant streaming activity and sparked a heightened social media presence, putting the group firmly back in the listening public’s mind. The band continues to ride this latest wave of interest. “I personally think [Black] is one of the best records Everclear has ever made,” Alexakis says. “It sounds like both old Everclear and new Everclear: It has a contemporary production sound, but it’s just old-school, angry rock songs. It’s kind of dark, very reminiscent of the early stuff. The sales weren’t great on it, but a lot of people streamed it. It got millions and millions of streams, so people were listening to it, and it resonated.” But when you’ve been a prolific band for more than a quarter-century, it’s all part of the journey. Right now, Alexakis is feeling a reflective pull for the 25th anniversary of World Of Noise, the band’s indie debut, which was recorded for $400 in a friend’s basement in Portland. Although no official commemorative tour dates are confirmed as of this writing, Alexakis says he’s considering playing some smaller, select shows this year as a tribute to the release. Much of the material rarely sees the light of day, but the 1993 album continues to enjoy a special place in Everclear history. “We’d just had a baby, I was on public assistance and was working part-time jobs, I was very frustrated and very angry and there were a lot of emotions going on,” Alexakis reflects. “I made that record for $400, because that’s all I had. I got this guy who had a basement studio to give me 40 hours’ worth of recording at $10 an hour. We had 10 or 11 songs, so we went in and recorded them in a week and mixed them, and that’s the album.…From there we just hit the ground running. I still haven’t stopped.” That rough and raw first attempt was just the nexus of the massive body of work Everclear and Alexakis have contributed since that humble beginning. When it comes to recording new material, at the moment Alexakis is focused primarily on writing and recording his first solo album, due out later this year. That precludes a new Everclear release…for now. “We might make another record in a couple years,” he says. “Maybe later on this year I’ll feel like it. I don’t know yet.” That said, the band’s live itinerary certainly makes up for its recent studio absence. As the group prepares for another Summerland run, as well as numerous other future dates, Alexakis is excited to revisit songs from fan favorite records like Afterglow, Sparkle and Fade and the double album Songs From The American Movie, but also compositions from more underrated collections, like 2012’s Invisible Stars. “There are people asking for songs, so we’ll just try and learn songs as we go,” Alexakis says. “If we get a lot of response from people to play a certain song, we’re going to learn it and go on the road and play it. You don’t think, ‘Wow, I can’t sing that high anymore.’ We’re not going to worry about it. We’re going to play some rock n’ roll, and just do it.”

The High Kings

After 15 years at the top of their game, The High Kings are still selling out venues around the world to an ever- growing army of loyal fans. Having already surpassed a million listeners on Spotify as well as 2 platinum albums in their time, The High Kings are celebrating 15 years together by releasing 15 brand new tracks to their fans as well as a 27 date tour of the USA with “The High Kings XV TOUR” as well as a Double header with ‘Gaelic Storm’ Widely regarded as the standard-bearer for their genre The High Kings continue to surprise and delight and “The High Kings XV TOUR” together with 15 newly reimagined tracks is just the beginning of their electrifying plans for 2023. In their time together, ‘The High Kings’  have charted across the world and performed for hundreds of thousands of fans, as well as in many prestigious situations including for the Prime Minister of England ( 2011), Barak Obama( 2012)  & George W Bush ( 2009 at the White house and at The Pentagon ( 2015) Notable performances include Glastonbury, the Isle of Wight ( 3 times – headlining in 2015), They appeared in Time Square & also headlined the St Patrick’s Day concert in Trafalgar Square London (2015). The High Kings continue to set the bar extremely high for Irish folk bands across the world and 2023 will be no different. Speaking about “The High Kings XV TOUR of the USA 2023”  the High Kings said: It’s been an amazing journey so far, and to be celebrating such a milestone with a huge Irish tour is amazing. We can’t wait to bring our brand new stage show, and our new music to our Irish fans – and we have a few surprises too!

Melissa Etheridge

Melissa Etheridge stormed onto the American rock scene in 1988 with the release of her critically acclaimed self-titled debut album, which led to an appearance on the 1989 Grammy Awards show. For several years, her popularity grew around such memorable originals as "Bring Me Some Water," "No Souvenirs" and "Ain't It Heavy," for which she won a Grammy® in 1992. Etheridge hit her commercial and artistic stride with her fourth album, Yes I Am (1993). The collection featured the massive hits, "I'm the Only One" and "Come to My Window," a searing song of longing that brought Etheridge her second Grammy® Award for Best Female Rock Performance. In 1995, Etheridge issued her highest charting album, Your Little Secret, which was distinguished by the hit single, "I Want to Come Over." Her astounding success that year led to Etheridge receiving the Songwriter of the Year honor at the ASCAP Pop Awards in 1996. Known for her confessional lyrics and raspy, smoky vocals, Etheridge has remained one of America’s favorite female singer-songwriters for more than two decades. In February 2007, Melissa Etheridge celebrated a career milestone with a victory in the “Best Song” category at the Academy® Awards for “I Need to Wake Up,” written for the Al Gore documentary on global warming, An Inconvenient Truth. As a performer and songwriter, Etheridge has shown herself to be an artist who has never allowed “inconvenient truths” to keep her down. Earlier in her recording career, Etheridge acknowledged her sexual orientation when it was considered less than prudent to do so. In October 2004, Etheridge was diagnosed with breast cancer, a health battle that, with her typical tenacity, she won. Despite losing her hair from chemotherapy, Etheridge appeared on the 2005 Grammy® telecast to sing “Piece of My Heart” in tribute to Janis Joplin. By doing so she gave hope to many women afflicted with the disease. On October 7, 2016 Melissa Etheridge released Memphis Rock & Soul, her first album since 2014’s critically lauded This Is M.E. Recorded at Royal Studios in Memphis, the album received stellar reviews from the likes of Entertainment Weekly, Parade, Rolling Stone, American Songwriter and more. She followed that up with the release of The Medicine Show in April, 2019. For The Medicine Show, Melissa reunited with celebrated producer John Shanks and sounds as rousing as ever, bringing a new level of artistry to her 15th studio recording. The Medicine Show deals with universal themes of renewal, reconciliation, reckoning, compassion and, most profoundly, healing. In June of 2020, Etheridge launched her own live streaming subscription and single ticket concert platform, Etheridge TV. Etheridge plays five unique shows Tuesday-Saturday at 3:00 p.m. PT and has done over 200 live streams in 2020. On September 17, 2021, Melissa released a new album called One Way Out. The 9-track album is a collection of songs Etheridge wrote in the late ‘80s and early ‘90s that never made the cut….until now! The time is finally right, and fans will finally get a deeper glimpse to who Melissa was then.          

Get The Led Out - A Tribute to Led Zeppelin

From the bombastic and epic, to the folky and mystical, Get The Led Out (GTLO) have captured the essence of the recorded music of Led Zeppelin and brought it to the concert stage. The Philadelphia-based group consists of six veteran musicians intent on delivering Led Zeppelin live, like you’ve never heard before. Utilizing the multi-instrumentalists at their disposal, GTLO re-create the songs in all their depth and glory with the studio overdubs that Zeppelin themselves never performed. When you hear three guitars on the album…GTLO delivers three guitarists on stage. No wigs or fake English accents, GTLO brings what the audience wants…a high energy Zeppelin concert with an honest, heart-thumping intensity. Dubbed by the media as "The American Led Zeppelin," Get The Led Out offers a strong focus on the early years. They also touch on the deeper cuts that were seldom, if ever heard in concert. GTLO also include a special “acoustic set” with Zep favorites such as “Tangerine” and "Hey Hey What Can I Do." GTLO has amassed a strong national touring history, having performed at major club and PAC venues across the country. GTLO’s approach to their performance of this hallowed catalog is not unlike a classical performance. "Led Zeppelin are sort of the classical composers of the rock era," says lead vocalist Paul Sinclair. "I believe 100 years from now they will be looked at as the Bach or Beethoven of our time. As cliché as it sounds, their music is timeless." A GTLO concert mimics the “light and shade” that are the embodiment of "The Mighty Zep." Whether it's the passion and fury with which they deliver the blues-soaked, groove-driven rock anthems, it's their attention to detail and nuance that makes a Get The Led Out performance a truly awe-inspiring event! Get The Led Out include: Paul Sinclair - Lead Vocals, Harmonica; Paul Hammond - Electric and Acoustic Guitars, Mandolin, Theremin; Tommy Zamp - Electric and Acoustic Guitars, Vocals; Eddie Kurek - Keyboards, Guitar, Vocals, Percussion; Derek Smith - Drums, Percussion; and Seth Chrisman - Bass, Vocals

Face 2 Face - Tribute to Elton John and Billy Joel

Nitty Gritty Dirt Band

For nearly six decades, the three-time GRAMMY® Award-winning Nitty Gritty Dirt Band has entertained audiences with their top-shelf musicianship and timeless hits. Now the time has come for the band who has carried a torch for American country and roots music to say so long to the highways and byways they’ve crossed an unimaginable number of times throughout their career. On March 21st, 2024, the Dirt Band will kick off the first leg of their last traditionally scheduled gigs, ALL THE GOOD TIMES: The Farewell Tour. This isn’t goodbye forever, but it will be the last fans see of multi-city runs and long bus rides. These special shows will celebrate the music created by the legendary, yet ever-evolving NGDB. Many veteran bands trade on nostalgia, on replication of past glories, and on recycled emotions from younger, more carefree days. The Nitty Gritty Dirt Band trades on a mix of reimagined classics and compelling newer works. The group formed in 1966 as a Long Beach, California jug band, scored its first charting single in 1967, and embarked on a selfpropelled ride through folk, country, rock ‘n’ roll, pop, blue- grass, and the amalgam now known as “Americana.” The first major hit came in 1971 with the epic “Mr. Bojangles,” which, along with insistent support from banjo master Earl Scruggs, opened doors in Nashville. Behind those doors were Earl Scruggs, Roy Acuff, Doc Watson, Mother Maybelle Carter, Jimmy Martin, and others who would collaborate on a multi-artist, multi-generational, three-disc 1972 masterpiece: Will the Circle Be Unbroken went triple Platinum, spawned two later volumes, and wound up in the Grammy Hall of Fame. Was this a cutting-edge combo or a group of revivalists? Was the goal rebellion or musical piety? Yes, to all these things. In the 1980s, the Dirt Band reeled off 15 straight Top 10 country hits, including chart-toppers “Long Hard Road (The Sharecropper’s Dream),” “Modern Day Romance,” and “Fishin’ in the Dark” (co-written by Jim Photoglo, who would join the band in the second decade of the new century). 1989 brought a second Circle album, this one featuring singer-songwriter talents including John Prine, Rosanne Cash, and John Hiatt and garnering two Grammy awards for the band (it later won another, for a collaboration with Earl Scruggs and other fine folks). Circle II also won the Country Music Association’s Album of the Year prize. Circle III was released in 2003, featuring collaborations with Johnny Cash, Dwight Yoakam, Emmylou Harris, Taj Mahal, and more. Throughout the group’s lifetime, personnel has changed, with each change resulting in positive steps forward, new ways of playing the old songs, and renewed enthusiasm for writing and recording fresh material. The latest Dirt Band lineup is expanded to six members for the first time since 1968. Today’s group consists of founding member Jeff Hanna, harp master Jimmie Fadden (who joined in 1966), and soulful-voiced Bob Carpenter, who has more than 40 years of service in the ensemble. Those veterans are now joined by singer-songwriter-bass man Jim Photoglo, fiddle and mandolin wizard Ross Holmes, and Hanna’s son, the preternaturally talented singer and guitarist Jaime Hanna. Blood harmony, thrilling instrumental flights, undeniable stage chemistry ... these things are part of each Dirt Band show, just as they are part of Dirt Does Dylan, the first recording from the reconfigured, six-strong group released in 2022. Produced by Ray Kennedy and Jeff Hanna, it’s a remarkable ride through some of the most impactful songs of the past century, penned by Bob Dylan and taken for a blue highway spin by a great American band, with help from genius-level contemporary artists like Jason Isbell and The War and Treaty. A Dirt Band show is unlike any other. For legions of fans, it’s less about the memories than the moment, crisp as an Autumn apple and rich as a royal flush.

The Wailin Jennys