Ghost

Coming off a last few years defined by an American Music Award and iHeart Radio Award-winning international #1 album, an RIAA-certified platinum single, and a massive world tour immortalized in a box office record-breaking feature film, 2025 is poised to be GHOST’s busiest, most ambitious and outright biggest year to date. Having revealed the existence of SKELETÁ, the forthcoming sixth album from the GRAMMY-winning Swedish theatrical rock icons, and its insidiously melodic lead single “Satanized,” GHOST has only begun the next phase of its inevitable path to world domination. With hundreds of thousands of tickets already sold for the first leg of the SKELETOUR WORLD TOUR 2025 featuring the band’s first-ever headline date at Madison Square Garden, GHOST is poised to bring the most introspective and inward-focused material of the band’s career to vivid life—and in suitably grandiose style: The SKELETOUR WORLD TOUR 2025 will feature the debut of the newly anti-christened Papa V Perpetua, as he presides over a phantasmagoric new production that promises to elevate the live rituals that propelled the band's debut feature film RITE HERE RITE NOW to become the highest grossing hard rock cinema event in North American history.  SKELETÁ and its accompanying tour stand to radically grow the always burgeoning, uniquely impassioned and unflaggingly loyal legions who eat, sleep and dress GHOST. From longtime devoted disciples to the curious uninitiated, all will be welcomed to find communion, salvation and escape in SKELETÁ and the ever-expanding world of GHOST.

Ghost Parking

Invasion Tropical

Invasion Tropical Parking

Gilberto Santa Rosa

Gilberto Santa Rosa Parking

Invasion Tropical Parking

Gilberto Santa Rosa (Rescheduled from 2/8)

Gilberto Santa Rosa Parking (Rescheduled from 2/8)

Roberto Carlos

Roberto Carlos initiated a major revolution of customs in Brazil in the '60s. Reaching success in a period coinciding with the youth movement started by the Beatles that was taking over the world, Carlos was the leader of Jovem Guarda. He led the TV show that became a generic denomination of a musical style and what was a definitive change of face to the Brazilian phonographic market and of the very art of marketing itself (with the advent of an aggressive merchandising of the JG's top figures, including films, clothes, etc.), encompassing deep behavioral/gestual/language influences widespread through his entire generation. His light music, derived from British pop, and his (and his partner's Erasmo Carlos') lyrics (happy, humorous, and full of fashionable youth slang and naïve though unexpectedly sexual) were deeply contrasting to the serious MPB, with its somber images and protest songs. After all, Brazil was living in a dark period of the military dictatorship, or the "years of lead" as they became known. A few years later, in the late '60s, Carlos (counseled by his advisors) changed his style to become the most successful romantic artist in Brazil. Having written (always with Erasmo Carlos) some of the most beautiful songs in this style (such as "Detalhes," "Sua Estupidez," "Jesus Cristo," "Debaixo dos Caracóis dos Seus Cabelos," etc.), Carlos accumulated virtually all possible accomplishments as a highly successful artist, including a solid international career with awards like the Grammy and top positions on Billboard's Latin charts. Though the adherence to a worn-out sentimental formula proved to be affective in commercial terms (more than 70 million albums sold in his career), it ultimately led him to be known, in the '80s and '90s, as a cheesy artist by youngsters and part of the adult listeners. Nevertheless, the mid-'90s witnessed a resurgence of Jovem Guarda talents through tributes of new rockers and Carlos reached the 21st century uncontestedly enjoying his absolute title: the King.