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KEMBA Live!

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Shows and other events are held at this venue, which has a restroom.

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Events

October 2025
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10/29/2025, 08:00 PM EDT
Hot Mulligan

When HOT MULLIGAN took to social media to declare themselves #1 Hot New Band, it would have been easy to write off the terminally online emo quartet's proclamation as yet another irreverent entry into their bag of tricks. But it turns out Hot Mulligan have a way of manifesting things into existence, whether it's name-dropping Michelle Branch and Mark Hoppus in song titles and netting responses from both (only one got the joke) or, true to their word, becoming synonymous with the newest waves of pop-punk and emo — err, post-emo, the genre Hot Mully have claimed responsibility for inventing. (Go ahead and fact-check it; they'll wait.) Since forming in Lansing, Michigan, in 2014, the college friends — vocalist Tades Sanville, guitarists Chris Freeman and Ryan Malicsi and drummer Brandon Blakeley — have ascended from basements to buzz band on the back of two beloved albums, 2018's Pilot and 2020's you'll be fine. Now, bolstered by 140 million Spotify streams, a sold-out nationwide headlining tour, support slots for the likes of The Wonder Years and New Found Glory and headlines in Alternative Press and Rock Sound, the band's third LP, WHY WOULD I WATCH (Wax Bodega), cements their evolution as one the most versatile and profoundly moving bands in the underground. Produced by longtime collaborator Brett Romnes, Why Would I Watch is Hot Mulligan at their loudest, their poppiest, and, ultimately, their most poignant: twinkly Midwestern emo guitars and mathy, synthy-heavy rhythms, Sanville's sandpaper vocals and indelible melodies, the lightning-in-a-bottle kinetic energy of Long Island ca. 2001 updated for newer generations. "And I Smoke" channels the ghost of Warped Tours past with frenetic pit-starting energy and unrelenting momentum — close your eyes, and you can almost taste the sweat and sunscreen — while "No Shoes in the Coffee Shop (Or Socks)" is the most well-honed slice of pop the band have ever laid down and the ambient slink of "This Song Is Called It's Called What's It Called" unfolds and builds, builds, builds into a dynamic eruption of emotion poised to become a highlight of live sets. "We didn't really have grand ambitions when we went in to make this album," explains Freeman. "I liked you'll be fine, and I just wanted us to make another good one." Adds Sanville wryly: "If we had made a bad record, I'd have gotten into a plane and fallen out of it." Therein lies the true magic of Hot Mulligan, the push and pull of puns and pathos that might seem diametrically opposed at first but actually intersect to perfectly encapsulate life in a heavy, ADD-addled world. Taken at face value, closed-eyes dartboard song titles like "Cock Party 2 (Better Than The First)," "Christ Alive My Toe Dammit Hurts" and "John 'The Rock' Cena, Can You Smell What the Undertaker" portray the band as perpetual court jesters, but make no mistake, the songs on Why Would I Watch are deeply personal: loss of connection with old friends ("Cock Party 2 (Better Than The First)"), generational trauma ("It's a Family Movie She Hates Her Dad"), body dysmorphia ("John 'The Rock' Cena, Can You Smell What the Undertaker"), grief over the passing of pets ("Betty"), the fraught feeling of hopelessness as you're helpless to stop time ("Smahccked My Head Awf"), the haze of hard touring ("This Song Is Called It's Called What's It Called"). The band don't consider these groundbreaking topics, opting for more measured and at times resigned realism to deal with the melancholia and malaise of life's ups and downs. "No one who's depressed is crying all the time," Sanville says. "The media likes to portray deep depression as sadness, but most of the time it's indifference. That works its way into alternative comedy and shitposting. The two cultures collide perfectly. The titles are the shitposts and the songs are what everyone in this position actually feels." "We've always written serious songs and then created titles out of autocorrect on our phones," Freeman explains. "We didn't think it mattered because we thought no one would listen when we first started." But it's clear from the band's fervent online fanbase and cathartic live show that people do listen. They make their own Hot Mulligan memes, flood discussion forums and pack venues around the world to scream along with Sanville and his bandmates, finding comfort in their songs and comic relief in their public personas all the same. It pays off in an album that's set to catapult Hot Mulligan to even higher highs — but you can rest assured they won't be taking it too seriously as they make their way there (nor will Sanville be exiting any aircraft in the process). "We've done more than we ever thought we could at the beginning," Freeman says. "We're vibing now. It doesn't feel like there's a next level up, almost like we're just replaying the levels. We beat the game, and now it's time to go collect all the stars."

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10/30/2025, 07:00 PM EDT
Insane Clown Posse

The painted faces of the Insane Clown Posse haunt the media like an urban legend. They emerge like phantoms amidst rumors of horror and stories of violence, shrouded in secrecy and surrounded by speculation, only to disappear back underground, beneath the streets. It is this sense of mystery, and the Dark Carnival mythos which surrounds and empowers them, that has attracted thousands of fans worldwide--endearingly referred to as "Juggalos." To hear Juggalos tell it, ICP are the only band worth representing, far removed from "the most hated band in the world". But, with a career spanning over a decade of hip-hop's tumultuous history, have they earned their reputation? For those who seek the truth, the Insane Clown Posse (ICP) are a success story that baffles the so-called "experts," and defies all the rules of the music industry. Defiance has been a defining characteristic of ICP and Psychopathic Records since the beginning. Their tale begins with poor suburban kids lost in the streets of Southwest Detroit, and peaks with over ten RIAA certified albums and DVDs, including the Billboard Top 200's longest running hip-hop album--an unprecedented success for a group with no major label support, and no radio or MTV airtime. With little to no outside funding, and in spite of harsh criticism, they have managed to produce a feature film, almost a dozen music videos, a documentary film, live concert DVDs, interactive CDs, and a legendary stage show that includes theatrical sets, revolving costumes, giant crowd-spraying props, and thousands of gallons of Faygo pop. With the Hell's Pit album, they have achieved a certified World Record, for creating the first ever High Definition 3-D video! In their spare time, they show off their wrestling talent, in each of the major wrestling federations, and in their own Juggalo Championshit Wrestling circuit. Their activities culminate with the annual Gathering of the Juggalos--an ever-growing concert-festival extravaganza, which regularly sees over 7,000 in attendance. With all these commercial achievements, one might wonder where the bad rap comes from. Be warned, the story of how two kids in face paint went from small-time gang-bangers to monsters of the music industry is as amazing as the music itself...

Contacts

405 Neil Ave, Columbus, OH 43215, USA