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KEMBA Live!

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Shows and other events are held at this venue, which has a restroom.

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Events

December 2025
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12/09/2025, 08:00 PM EST
PVRIS

ICONIC. HYPNOTIC. GODDESS. PVRIS is a motherfucking brand. Hailing from Boston, MA, PVRIS - the creative project of vocalist/instrumentalist/songwriter, Lyndsey Gunnulfsen (aka Lynn Gunn) - focuses on artistry, emotional resonance, and story-telling in her music. Rather than be tied down to a specific genre, PVRIS has always explored a diverse, eclectic mix of sounds, resulting in a genre all their own. It is this controversial, innovative, and risk-taking approach that has led to Lynn being lauded as a modern pop/rock icon - performing on Jimmy Kimmel Live, featuring on magazine covers like Rock Sound, Alternative Press, Gay Times, and Kerrang!, and winning the Rock Sound Icon award, Artist of the Year, and Alt Press Breakthrough Band of the Year award. “It’s not my job as an artist to cater to certain trends or people’s nostalgia,” Gunnulfsen shares, “I have to follow what I feel compelled to follow and do my best to uncover what truths and messages I can find within that. I have to always embrace the risks of change and trust that each stage of my music’s life will resonate with whoever it’s meant to.” It is with this mindset that PVRIS took the unconventional approach of disengaging completely from the public eye to write/record their new album, EVERGREEN. Weary of seeing how modern culture has become so dependent on the internet, social media, instant gratification, and the ever-present “algorithm,” Gunnulfsen embarked on a journey of reflection, meditation, and self-discovery. The result is a body of work that feels timeless and refreshing. “If you search the definition of ‘evergreen,’ you will find words like: enduring, timeless, fresh, unlimited, and renewal,” Gunnulfsen explains, “In our modern culture where everything is online, algorithm-based, and instantaneous, it feels like timelessness, longevity and connection could someday become dying concepts. More than ever, PVRIS has, and always will be anti-formula, anti-virality, and anti-instant gratification.” With a strong sense of purpose and direction in mind, Gunnulfsen focused on co-producing the album alongside a diverse selection of expertly enlisted production collaborators, from Linkin Park’s Mike Shinoda, who co-produced the arena-primed aggressive rock track “TAKE MY NIRVANA”, to American producers Y2K, JT Daly, Matias Mora, and Carrie Karpinen. Highly-inventive and extremely cohesive, the album opens with the explosive and personal track “I DON’T WANNA DO THIS ANYMORE” and leads into the ferocious, defiant “ANIMAL” - a song about breaking free of control, whether it’s from other people or from ourselves. “It's about challenging the identity the outside world chooses to give you,” Gunnulfsen adds, “It’s also a comment on fame and spectacle. We do each other a disservice by restricting one another to these metaphorical cages, the ones we’re constantly putting others in and being put in by others. Animal is about challenging that.” While many of the songs evoke politically-charged themes, the invigorating album is met with a narrative that is also deeply introspective. Songs like “ANYWHERE BUT HERE” and “LOVE IS A…” dissolve into a luscious, trance-like experience that breathes levity into an intimate atmosphere. “At its core, “ANYWHERE BUT HERE” is about wanting to escape your surroundings. I think a lot of us experience that to some degree, a longing to be somewhere or with someone you can’t necessarily identify.” In the end, EVERGREEN is a reclamation of control in our post-pandemic culture, posing a complex discussion on fame, technology, spectacle, and female autonomy. As a fiercely passionate LGBTQ+ woman, Gunnulfsen has fought her entire career to make sure her voice is heard and her art is not compromised in a male-dominated world. EVERGREEN is a call to empower other women and individuals to find strength in their voices and break free from the shackles of social media and the burden it places on modern society.

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12/13/2025, 08:00 PM EST
Highly Suspect

Highly Suspect’s Johnny Stevens was in a dark place. His relationship had crashed and burned and so had his dirt bike after an ill-fated desert ride. “I lived recklessly — and I didn’t really care if I survived,” he says. “There was no difference between being above the dirt or below it.” After that near-death experience, though, Stevens woke up. The Earth, it turned out, needed Stevens topside, and new love was just around the corner. All those experiences, then, alchemized into the band’s fifth studio record, As Above, So Below, out July 19th on 300/Elektra. A saga of an album, As Above, So Below meshes Mad Max grit with indie-rock innovation to tell a tale as old as time that nevertheless seems brand-new: love lost and found again, a purpose renewed. A Grammy-nominated five piece — Johnny Stevens [vocals, guitar], Ryan Meyer [drums, vocals], Rich Meyer [bass, vocals], Matt Kofos [guitar] and Mark Schwartz [synths] — Highly Suspect is nothing if not eclectic. Dabbling in hip-hip, electro-pop, and, of course, rock & roll, the band has spent the last 15 or so years melting faces and stealing hearts with their own brand of brutally honest swagger. With As Above, So Below, though, they’re firmly in their rock & roll pocket, though, cranking out grimy ragers and indie-rock opuses alike. “I don't want to try to pretend to be something that I'm not,” Stevens says. “I am so tired of fucking fake bullshit. Drop the curtain, it's time to be real.” Here’s to staying on the right side of the dirt.

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12/14/2025, 08:00 PM EST
That Mexican OT

That Mexican OT embodies Texas culture like few artists working in rap today. Born and bred in Bay City, TX, OT proudly represents the Third Coast, and his new album Lonestar Luchador is a singular combination of the bold flavors that come together to create Texas. OT’s music fuses the screwed-up sound and trunk rattle of Houston rap, the furious flows and methodical bars of East Coast hip-hop, and the throwback feeling of classic norteño and Tejano, a showcase of the diverse styles that made OT the one-of-a-kind MC he is today. He’s collaborated with indisputable Texas legends like Paul Wall on his single “Johnny Dang,” as well as OG Ron C on the chopped-not-slopped version of his mixtape Nonsense and Mexican Shit, placing him firmly in the legacy of Texas slab music. Signed to Manifest/GoodTalk/Good Money Global, That Mexican OT isn’t just looking to the past; he’s giving his own fresh twist to a classic sound, like a supercharged engine under the candy-painted hood of an old-school Impala.   As pioneers of the lowrider scene that’s always been such a crucial cornerstone of Southern rap, the influence of Mexican-American and Tejano culture on Houston’s hip-hop scene in particular has always been undersung. Drawing influence from the eye-catching aesthetic of lucha libre—Mexico’s distinct style of pro wrestling, known for iconic masked heroes and villains like Blue Demon, Mil Máscaras, El Santo, and Rey Mysterio—Lonestar Luchador is an affectionate tribute to the iconic creativity of Mexican culture. Tracks like “Barrio,” featuring Lefty Sm, showcase the style that OT dubs “grito ranchero,” bringing out the Tex-Mex in Texas rap by mixing tough trap beats with the passion of a nostalgic corrido. Jonnyshipes — the creative mind behind GoodTalk, formerly Cinematic Music Group — produced 5 songs on Lonestar Luchador, and says "It was a no brainer signing OT, Fee Banks who has one of the best ears in the game brought him to me & as soon as I heard him spit I knew. Combine that with the buzz OT & Greg Gates had built before I stepped in knew it would work." That Mexican OT is next in line of the lineage of authentic and gritty voices that GoodTalk/CMG has platformed over the years, including Nipsey Hussle, Big K.R.I.T., and Joey Bada$$.   True to his name, That Mexican OT embraces and showcases his heritage on both sides of the Rio Grande, singing and spitting as effortlessly in Spanish as he does in English, each language expressing a different side of himself. OT is just as comfortable switching up his rap flow as he is the language he writes in, flipping from smooth Southern funk to boom bap on the gritty and menacing “Cowboy in New York.” There’s plenty of syrupy swagger to his voice that makes it suited to slowing down and chopping up, but he could go bar-for-bar with the most cut-throat battle rappers if he wanted, unleashing relentless chopper bars when the time is right. His flow owes as much to Eminem and Big L as it does to UGK and Lil’ Keke. OT’s sense of humor also contributes to his music’s classic feeling; the comedic skits on Lonestar Luchador, featuring the raunchy color commentary track for a fictional lucha libre show, feel like something you’d hear on a Redman or De La Soul cassette tape in the ‘90s. OT isn’t just a rapper writing verses, but a full-fledged artist thinking about the total package.   Like the masked luchadores he’s inspired by, That Mexican OT is a larger-than-life character with a stylish flair, but his music is down-to-earth and real as it gets, an effortless fusion of the many diverse sounds you hear blasting out of Cadillac speakers down South. With Lonestar Luchador, That Mexican OT stakes his claim at the forefront of a new generation of Texas rap. His music is a true product of the place he’s from, and it’s a place he’s proud to represent in both his music and his life, but his vision goes far beyond his home state, with a hybrid genre sound that has universal appeal. That Mexican OT is charting new territory, like a rough and rambling cowboy in an old Western story, always looking for the next unexplored frontier

Contacts

405 Neil Ave, Columbus, OH 43215, USA