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KEMBA Live!

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Shows and other events are held at this venue, which has a restroom.

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Events

January 2026
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01/09/2026, 08:00 PM EST
ZOSO (The Ultimate Led Zeppelin Experience)

Over the 28 years and over 4500 shows since ZOSO came together as a group in the mid-‘90s, the seemingly tireless quartet continues to earn its well-deserved reputation as being, in the words of The L.A. Times, “head and shoulders above all other Led Zeppelin tributes.” The reasons for that are manifest. For starters, surely no singer has ever captured the distinctive timbre, range, power, and seductive force of Robert Plant’s vocal delivery as adroitly as ZOSO’s lead vocalist and founder, Matt Jernigan, whose flowing, corkscrew blonde locks and leonine stage moves evoke the Plant persona perfectly. ZOSO co-founder Adam Sandling, the band’s multi-instrumental master of electric bass, keyboards, and mandolin, likewise echoes John Paul Jones’ myriad gifts to a tee, allowing the four-piece ZOSO to perform fully fleshed-out versions of classics like “Kashmir,” “Trampled Under Foot,” and “Stairway to Heaven” that demand up to six members or more to execute in other Zep-inspired ensembles. That’s not the ZOSO way; instead, the band draws liberally and meticulously from Led Zeppelin’s recorded live output to present a vivid performance picture of the classic live Zeppelin of 1970-1977. No wonder the St. Petersburg Times noted that, in addition to their virtuosity and spot-on visual presentation, ZOSO was also “the most exacting of all the Led Zeppelin tributes.” Meanwhile, the band’s new blood has turbo-charged the ZOSO formula even more. Drummer Bevan Davies, the band’s burly, black-haired batteur since 2015, flattens the band’s fans nightly with his Bonhamapproved triplet blasts, tympani thunder, and fat, lumbering grooves. Davies boasts an impressive pedigree that includes touring tenures with the likes of Danzig, Jerry Cantrell of Alice In Chains, Static X, and regular gigs with The Cult’s Billy Duffy. Taking on the demanding Jimmy Page chair for ZOSO in May of 2021, new lead guitarist James Volpe Rotondi (aka “Jimmy”) brings an equally high-level CV to the table, as a former member of Humble Pie, Mike Patton’s Mr. Bungle, and French superstars AIR. Decked out in Page’s iconic dragon matador jacket, two-tone shoes, and cascading black hair, Rotondi wields his Gibson Les Paul and double-neck guitars like he was born to it, with a huge, crafted tone and a stunning technique that weaves together Page’s roots in blues, country, funk, and fingerstyle. Still, while the players’ provenance, and the band’s deep history, speak for themselves, it’s that highwire musicianship combined with ZOSO’s spot-on recreation of the mythic presence of Led Zeppelin onstage that keeps their dedicated longtime fans coming back for more year after year. What’s more, new generations of ZOSO devotees in their teens and Twenties are likewise lining up to experience for themselves the power and majesty—and yes, the alluring combination of danger, spontaneity, skill, and sexuality—that define a world-class Led Zeppelin concert. “[ZOSO is] the closest to the original of any Led Zeppelin tribute,” proclaims the Chicago Sun-Times, and they are not wrong. ZOSO’s ongoing invitation to all generations, all ages, all backgrounds of Led Zeppelin fans, then, is a very simple one: Relive it . . . LIVE.

March 2026
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03/06/2026, 08:00 PM EST
Stephen Wilson Jr.

Stephen Wilson Jr.'s journey from the hollers of southern Indiana to Nashville, Tenn. has been a winding road that’s taken many detours: He’s been an Indiana State Golden Gloves boxing championship finalist, a scientist, and a lead guitarist and songwriter in an indie rock band. In 2016, he ditched his laboratory 9-to-5 and signed a publishing deal with BMG Nashville where his alchemic songcraft immediately made waves, leading to cuts from Caitlyn Smith, Old Dominion, Tim McGraw, Sixpence None the Richer, Leigh Nash and more. 2023 proved to be Wilson Jr.’s breakthrough year, signing with Big Loud Records and releasing his debut double album søn of dad: a triumphant, genre-spanning set of 22 songs dedicated to his late father and given to the world on the five-year anniversary of his passing. The album was named the No. 1 album of 2023 by Holler who called it “a record for the ages,” and earned a spot as one of the best albums of the year from Whiskey Riff, Wide Open Country and Rolling Stone. In 2024, he made his network television debut on NBC’s Late Night with Seth Meyers, followed by performances on The Late Show with Stephen Colbert’s #LateShowMeMusic series and Later…with Jools Holland. Ahead of the one-year anniversary of søn of dad, Wilson Jr. was also profiled in an extensive feature for CBS Saturday Morning. So far in 2025, Wilson Jr. released a deluxe edition of his debut album that features a moving interpretation of “Stand By Me” that has been streamed tens of millions of times. He is fresh off the heels of an entirely sold-out 2025 U.S. run of his søn of dad tour and is supporting HARDY on his Jim Bob World Tour on select dates from May through September, including the final show at Madison Square Garden. This summer he will make his Newport Folk Festival debut and throughout the year will perform at Glastonbury Music Festival, Cavendish Beach Music Festival, Boots and Hearts, Whiskey Moon and more.

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03/08/2026, 07:00 PM EDT
Josiah Queen

A young Josiah Queen, only 9 years old, attended a young adults' conference with tens of thousands of believers in Kansas City, accompanied by his parents. Amidst the buzz of the event, he encountered God for the first time, and his life was completely changed. After this event, Josiah recalls having the desire to write his own worship songs. Guided by the verses of Psalms from the Bible, Josiah translated his newfound spiritual connection into melodies on his piano. The words of the scriptures became the building blocks of his compositions, infusing his music with a depth that resonates with the human experience.From those early days, an unshakable passion for crafting music took root in Josiah’s heart. Every day turned into an opportunity to create lyrics and harmonies that reflected his devotion and the profound lessons he found in the Bible. Every Friday night, he remembers leading prayer sessions at a local church where he would spontaneously sing songs inspired straight from the Bible. At the age of 16, he recorded his debut track, “God of Miracles,” a song about witnessing God's miraculous movements in our ordinary lives. However, this was just the prologue. Josiah’s journey had only begun. On some weekends, Josiah would travel with his mother, who was a traveling preacher. He would lead worship alongside these communities of believers and witnessed the powerful impact a song could have. At 18, while working at a car wash, he fervently prayed for a path that would enable him to turn his musical dreams of becoming a Christian songwriter into reality.Josiah felt an undeniable calling to share the songs that he wrote in his bedroom with the world. Social media platforms like TikTok, Facebook, and Instagram became his stage, and his music resonated deeply with hearts far and wide. With each upload, a community blossomed, drawn to the authenticity of his verses and the sincerity of his devotion. Then, in April, a song emerged that would amplify the impact of his journey. Titled “I am Barabbas,” this composition offered a poignant perspective on a Biblical narrative. It invited listeners to experience the story of Barabbas—the prisoner pardoned in exchange for Jesus’ crucifixion. The emotional depth of the song struck a chord, amassing millions of views and earning a place among Billboard’s “Top 50 Hottest Christian Songs.” As an independent musician without a record deal, Josiah Queen stands as a testament to the power of dedication and the resonance of a harmonious melody. His journey, crafted with faith-filled lyrics and heartfelt melodies, is an anthem of authenticity and devotion.Josiah’s music bridges the gap between humanity and divinity, inviting all who listen to encounter the character of God. His verses serve as a conduit for connection, inspiration, and divine harmony, reflecting his unwavering commitment to both his music and his faith. In a world yearning for truth and meaning, Josiah Queen’s melodies offer solace, purpose, and a resonant reminder of the extraordinary power of faith-fueled music. Josiah and his wife, Trinity, travel together and share the gospel.

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03/12/2026, 08:00 PM EDT
INZO

For INZO, there’s a thrill in possibility. The Denver-based electronic artist is less concerned with labels and more with creating immaculate vibes and moving melodies. “If I could make any and every genre,” he says, “I would.” He lives up to that mission through luminescent synth lines that flutter through his tracks like fireflies, chest-caving bass, and wistful, nostalgic vocal samples. Through it all, no matter what sounds and styles he chooses, he has a constant goal: He wants you to feel something. “If you're crying, if you're having a fun time, if you're having an epiphany at that moment,” INZO says, “sad, happy, whatever—I just want my music to be an experience.”   Having last released music in 2020, INZO is currently working on bringing his new and varied experiences to life. In addition to a collaborative EP with fellow dance experimenter LSDREAM, he’s preparing his solo EP, Earth Magic. Created during lockdown, its tracks are more cinematic and calmer, with lo-fi beats, piano breakdowns, and transcendent synth beams—a byproduct of his renewed focus on health and wellness. Making music itself has become therapeutic for INZO, so it's fitting that his new work reflects that cozy headspace. As much as he enjoys playing live, he especially loves the quieter, more intimate moments of listening back to a track he’s made for the first time and realizing it’s exactly what he’d envisioned. “I like to make music for other people to enjoy,” he says, “but at the end of the day it's an expression of me.”   Growing up in Chicago, INZO, born Mike Inzano, seemed destined for music. When he was 4 years old, his parents enrolled him in piano lessons where he studied classical greats like Beethoven; at 6, he chose to learn drums inspired by rock groups like Red Hot Chili Peppers. In high school, Inzano found increasing success as part of a metal band. When a potentially career-making opportunity to play Warped Tour fell through, he took it as a sign to move on, go to college, and pursue a medical career. But freshman year, he found rave culture, which pulled him back in. Instead of attending classes, Inzano camped out in the campus music studio and taught himself production, eventually leaving school behind to pursue it full-time.   For the next two years, INZO tried on different styles, hopping from soaring progressive house (“High Above”) and raucous electro house (“Brocaine Camaro”) to a pop-rock-electronic hybrid (“Young Heart”). In 2017, he released the single “Visionaries,” a hazy track with crashing waves of bass and warm, cascading synth drops. Somewhere in its mellow ambiance and ethereal arrangements, something clicked. “That was the first time I was sure of my musical identity,” he recalls. “Who I wanted to be, the music I wanted to make, the sound I wanted to capture.”   Following that instinct served INZO well. His next single, 2018’s introspective “Overthinker,” was his most successful to date, recently surpassing 52 million Spotify streams. The bass-heavy track builds on atmosphere, sampling a speech by philosopher Alan Watts that cuts through the dreamy melodies and euphoric synth blooms with sobering musings. Then, inspired to shake up his sound, INZO flexed his range on his 2019 debut EP, Multiverse, delivering stuttering funk on “Let It Slide,” laser-charged heaviness on “Y,” and blindingly bright melodies on the title track.   As INZO prepares new music, he’s still keen on keeping people guessing. The tracks he’s making now are more vivid, softer, and prettier, but he hints at troves of unreleased tracks approaching heavier and more experimental territory—and even more surprise collaborations. What will he put out next? With INZO, anything is possible as long as it’s an experience.   During a summer full of pivotal performances in 2023 at festivals such as North Coast, Wakaan, Bass Canyon and Sonic Bloom or a coveted headlining night at Mishawaka Amphitheatre, INZO played alongside GRiZ and B2B with LSDREAM, among others while heavy-hitters such as REZZ and Liquid Stranger were airing his tracks out to their crowds.   Left inspired by the visionaries in the world, INZO started his Visionquest heading into 2024 to pursue his vision of what music can be which all starts where he did as an early producer, in the house music realm with his EP “Sidequest,” via Lowly. INZO shares, “No, I am not “changing genres” or am only making house music. This is a “sidequest” by name.. sidequest by nature. I just wanted to do a project that felt fun and not too introspective.”   The lead single off “Sidequest,” “Bass In Yo Face,” opens eyes with bass music elements then cracks the dance floor alive with a silky house drop. “Dopamine” with LSDREAM orchestrates a sonic conversation with rave energy and unfathomable rhythms, immersing listeners in his signature atmospheric enclave. Then the nonstop funky tech house tune “Funky Fusion'' defines fun. INZO will have plenty more sounds to explore and unveil along his upcoming Visionquest tour.

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03/13/2026, 08:00 PM EDT
Houndmouth

Houndmouth is an American alternative blues band from New Albany, Indiana led by Matt Myers (guitar, vocals). Houndmouth formed in the summer of 2011. After playing locally in Louisville and Indiana, they performed at the SXSW music festival in March 2012 to promote their homemade self-titled EP. Geoff Travis, the head of Rough Trade was in the audience and offered a contract shortly after. In 2012, the band was named “Band Of The Week” by The Guardian. In 2013 Houndmouth’s debut album, From the Hills Below the City, was released by Rough Trade. This led to performances on Letterman, Conan, World Cafe, and several major festivals (ACL, Bonnaroo, Lollapalooza, and Newport Folk Festival). SPIN and Esquire.com named Houndmouth a “must-see” band at Lollapalooza, and Garden & Gun said, “You’d be hard pressed to find a more effortless, well-crafted mix of roots and rock this year than the debut album from this Louisville quartet.”   On their latest album Good For You, Houndmouth share a collection of songs set in places as far-flung as the Alamo and the Hudson River, each populated by a motley cast of characters: fairy-tale princesses and vampires, parking-lot lovers and wanna-be beauty queens. The result is a lovingly gathered catalogue of those wild and fleeting moments that stay lodged in our hearts forever, taking on a dreamlike resonance as years go by.   Produced by Brad Cook (Waxahatchee, Hiss Golden Messenger) and mixed by Jon Ashley (The War on Drugs, B.J. Barham), Good For You came to life at Houndmouth’s longtime headquarters, a 19th-century shotgun-style house decked out in gold wallpaper and crystal chandeliers. Over the course of a year spent holed up at the so-called Green House, Houndmouth slowly shaped the warm and unhurried sound of Good For You. “Except for the first EP we’d never recorded in our own space before,” says Myers. “It was perfect because we all felt so comfortable, and there were no time constraints on anything.”   In a departure from the shambolic spirit of past work like Little Neon Limelight (Houndmouth’s 2015 breakout, featuring the platinum-selling “Sedona”), Good For You bears a hi-fi minimalism that beautifully illuminates its finespun storytelling. “From working with Brad and Jon we learned to go for the simplest parts that best support the melody, and to let the frequencies take up more space in the songs,” says Myers. On the album-opening title track, Houndmouth bring that approach to a sweetly languid breakup song set against the surreal backdrop of the Kentucky Derby (“I wrote that before Covid, but at the time I was sort of emotionally going through a pandemic,” Myers points out). On “Miracle Mile,” Houndmouth pay homage to the many misfits they’ve met on the road, including a woman they’ve nicknamed after the Greek god of wine and ritual madness (“Sweet Dionysus/She never really liked us/Hangs on and stays too long/And then supplies us all with vices”). And on “Cool Jam,” Houndmouth eulogize a doomed romance, embedding their lyrics with so much broken wisdom (e.g., “Ain’t no heaven when you’re having a good time”).   On its closing track “Las Vegas,” Good For You shifts into a far rowdier mood, offering up a freewheeling anthem that once again reveals Houndmouth’s ability to build a novel’s worth of tension in just a few lines (“You wore makeup for three days straight/Half a Xanax for the holidays/By the look on your face/You’re rolling eights the hard way”). Working from a demo they’d laid down years before, the band produced “Las Vegas” on their own in the frenetic final session for the album. “We had a mic at one end of the hallway, and we were all just screaming the harmonies together from the other end,” Myers notes. In assembling the tracklist for Good For You, Houndmouth nearly withheld the song due to its outlier status, but ultimately found its joyfully unhinged energy well-suited to a world waking up from a year of grief and isolation.   For Houndmouth, the making of Good For You allowed for a major leap forward in their songwriting and sound while recalling the pure abandon of the band’s early days. “I remember the first time I ever came to the Green House and saw what was happening here and I thought, ‘I’m never leaving this place,’” says Myers. “This album felt like being back in that time again, only now everything’s a little more dialed-back and cared-for. It was like a return to the way we fell in love with playing music.”

Contacts

405 Neil Ave, Columbus, OH 43215, USA