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Georgia Theatre

Description

Historic theater with a rooftop hosting a variety of live musical performances.

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Events

October 2025
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10/02/2025, 08:00 PM EDT
Braxton Keith

With a sound and style honed in the honky tonks of Texas and beyond, Braxton Keith is part of a new generation of country singer-songwriter – one leading a revival of its core creative tenants. Featuring an earnest love of the ‘80s country aesthetic – and all but addicted to the rush of the stage – Keith has spent the last few years of life as a proud road dog, schooling new fans of the timeless power of a revved up band and rich organic twang. But while his what-you-see-is-what-you-get approach remains firmly rooted in tradition, that doesn’t mean he’s staying put. This Warner Music Nashville newcomer lives one state line at a time. “I love the honky tonk country twang and I wouldn’t trade it for anything,” the rising star explains. “But honestly, I’m just thinking about getting up and playing another show. This is just the beginning. This is where the hard work starts.” A proud Texas native who these days splits time between San Antonio and Nashville, Keith was born in Midland, Texas, steeped in country mystique. Learning to play piano from his grandmother – a woman who loved the Cadillac cool of stars like Porter Wagoner – he grew up singing, drawn like a magnet to the sonic storytelling of gritty tunes like “The Carroll County Accident” (an all-time family favorite). Diving deep into the pure-country form, Keith picked up a guitar and soon had a taste for hard twang and tales of the heart, writing his own classically-inspired songs in a grungy, cluttered garage. He never took it seriously until college, when a friend convinced the unknown-but-obvious talent to record one – just so he’d have something to share with his future kids. “I did it – and I never stopped,” Keith says. “I caught this little honky tonk bug, and now I’m traveling the country for a living. Started out writing songs in our garage, now I’m writing songs in Nashville. It’s crazy.” Leaving school behind to earn his place in Texas’ vibrant live-music scene, Keith and a band of brothers have now been touring nonstop since 2020, racking up untold miles and hundreds of floorboard-shaking shows. Blending throwback-tonk with a sharp, barbed-wire vocal recalling stars like Tracy Lawrence (plus a little borderland buzz of San Antonio Spanish influence), Keith became a regular face in venues all across his home state, and then looked beyond. Relentless nationwide touring and a series of self-released singles and EPs have helped build a solid social media following. He arrived in Nashville for the first time in 2021, and has since been finetuning his natural songwriting style – timeless tunes of love, loss and life steeped in the energy and attitude of a Texan dancehall, but made for a wider audience. “There’s something romantic about the country music scene in Texas – it’s that connection with that crowd,” Keith explains. “It doesn’t matter what day of the week it is, whether it’s an old raggedy bar or wherever the hell you are, they’re going to show up, and I fell in love with creating moments with those fans. I just try to imagine it’s a 90-minute show for me, but it’s a lifetime experience for them.” Featured on taste-making playlists like Spotify’s New Boots and Breakout Country, Keith’s 2024 single “Cozy” leads the way for a new chapter, highlighting the rising star’s fresh take on a classic style. A silky-smooth two-step with an unmistakable vocal tone, the clever, co-written message of warning for a romantic rival sets Keith apart from the pack. “It’s a very different song – unlike anything I hear on country radio today,” he says. “It’s just a very honest, vibey, Ronnie Millsap-style ‘80s country song. In today’s world it’s an interesting song, and from the moment we wrote it I was like, ‘This is something special.’” More new music is planned for 2025 release, as Keith continues exploring the contours of a uniquely country sound and style. Merging past and present with the timeless edge of a band-leading troubadour, he’ll stay on the road, too, crossing time zones like he’s gliding across a honky tonk floor. “The touring never stops – especially for an artist like me,” he admits. “I hope people have a damn good time when they come out, and I hope the show was great. And if they pick up the record, I hope they get a taste of that.”

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10/08/2025, 07:30 PM EDT
The Head And The Heart

As The Head and the Heart toured behind their 2022 album, Every Shade of Blue, Jonathan Russell realized something needed to change inside the band he had cofounded a dozen years earlier: the entire songwriting process. Sure, they’d had Platinum singles, including “Honeybee” and “All We Ever Knew,” but the tandem of success and encroaching adulthood had forced sometimes-unspoken changes over the years. Russell, for instance, often took on lead songwriting duties, even bringing in outside collaborators to bolster his ideas. Their early band energy faded a bit, a slight disconnect forming between the songs and the members, even between one another. Aperture—The Head and the Heart’s sixth album and their first since signing to Verve Forecast—is the affirming sound of their restart. After leading so much of the songwriting during the last decade, Russell ceded that role to everyone, shooing away siloed work for a highly collaborative approach where everyone hatched tunes together in a room or passed ideas between coasts. With every song fortified by the sense of beginning again, Aperture is The Head and the Heart’s most vital and poignant album. It is the best work they’ve ever done. Really, all of Aperture sounds like the work of a band reaching unimagined levels of camaraderie and mutual risk as one, at once. A spirited homage to honesty and love, “Jubilee” is like the sun suddenly bursting from the clouds. It bounces like a piece of pop-punk and arcs like a Springsteen classic. During “Beg Steal Borrow,” The Head and The Heart’s trademark harmonies conjure communal aspirations. And there may be no better summary of this fellow feeling than the mighty “Arrow,” a shout-along song about sometimes needing the space to roam and fail on your own and sometimes needing to be guided and helped by those around you. The Head and The Heart has finally found a way for its six members to find their own ideas and then build them, together, into something magnificent.

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10/09/2025, 07:30 PM EDT
The Head And The Heart

As The Head and the Heart toured behind their 2022 album, Every Shade of Blue, Jonathan Russell realized something needed to change inside the band he had cofounded a dozen years earlier: the entire songwriting process. Sure, they’d had Platinum singles, including “Honeybee” and “All We Ever Knew,” but the tandem of success and encroaching adulthood had forced sometimes-unspoken changes over the years. Russell, for instance, often took on lead songwriting duties, even bringing in outside collaborators to bolster his ideas. Their early band energy faded a bit, a slight disconnect forming between the songs and the members, even between one another. Aperture—The Head and the Heart’s sixth album and their first since signing to Verve Forecast—is the affirming sound of their restart. After leading so much of the songwriting during the last decade, Russell ceded that role to everyone, shooing away siloed work for a highly collaborative approach where everyone hatched tunes together in a room or passed ideas between coasts. With every song fortified by the sense of beginning again, Aperture is The Head and the Heart’s most vital and poignant album. It is the best work they’ve ever done. Really, all of Aperture sounds like the work of a band reaching unimagined levels of camaraderie and mutual risk as one, at once. A spirited homage to honesty and love, “Jubilee” is like the sun suddenly bursting from the clouds. It bounces like a piece of pop-punk and arcs like a Springsteen classic. During “Beg Steal Borrow,” The Head and The Heart’s trademark harmonies conjure communal aspirations. And there may be no better summary of this fellow feeling than the mighty “Arrow,” a shout-along song about sometimes needing the space to roam and fail on your own and sometimes needing to be guided and helped by those around you. The Head and The Heart has finally found a way for its six members to find their own ideas and then build them, together, into something magnificent.

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10/10/2025, 08:00 PM EDT
The Castellows

Neo-Traditional Country music trio, The Castellows, are bringing a literal meaning to the phrase, “family tradition.” The band comprised of sisters Ellie (lead guitar), Powell (banjo) and Lily (vocals), hail from small rural Georgetown, Georgia, but now call Nashville home. The Castellows’ sound is traditional, yet modern. Authentic, yet harnessed. The common thread among the trio, other than their DNA, is their masterful three-part harmonies which blend together to create one singular, almost angelic, voice. The Castellows’ craft as songwriters is as robust as their voices, which is evident across the trio’s debut EP, A Little Goes A Long Way, releasing February 9, 2024. The band wrote/co-wrote six of the seven songs that make up the project, with the promise of much more music to come. The band began turning heads of music industry insiders in January 2023. When spring arrived, The Castellows had signed a record deal with Warner Music Nashville & Warner Records, collectively. Wasting no time on pleasantries, The Castellows immediately got to work writing, recording, and performing live. Tapping veteran producer Trina Shoemaker (Sheryl Crow, Nanci Griffith, Queens of the Stone Age), the first fruits of labor to be harvested from 2023 is the debut A Little Goes A Long Way. One year later, the three sisters from a cattle farm in Georgia are still turning heads, landing on multiple 2024 ‘Watch Lists’ including CMT ‘Listen Up,’ Pandora, Country Now, and Nashville Lifestyles’ ‘Five Groups You Need To Know,” as well as announcing a 21-city tour that will begin eight days after the release of A Little Goes A Long Way….and they’re just getting started.    

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10/22/2025, 08:00 PM EDT
Soulja Boy

DeAndre Ramone Way (born July 28, 1990 in Chicago, Illinois), better known by his stage name Soulja Boy Tell 'Em, or simply Soulja Boy, is an American pop rap artist. In September 2007, his single "Crank That (Soulja Boy)" reached number one on the Billboard Hot 100. The single was initially self-published on the Internet, and it became a number-one hit in the United States for seven non-consecutive weeks starting in September 2007.   In November 2005, Way posted his songs on the video-based social community YouTube. Following positive reviews on the site, Soulja Boy then established his own web pages on YouTube and MySpace. In March 2007, he recorded "Crank That" and released his first independent album Unsigned and Still Major, followed by a low-budget video filmed demonstrating the "Soulja Boy" dance. By the end of May 2007, "Crank That (Soulja Boy)" received its first air play and Soulja Boy met with Mr. Collipark to sign a deal with Interscope Records.   On August 12, 2007, the song appeared on the Emmy-award winning HBO series Entourage, and by September 1, it topped the Billboard Hot 100 and Hot RingMasters charts. Way's major label debut album Souljaboytellem.com, which was reportedly recorded using just the demo version of FL Studio, was released in the United States on October 2, peaking at #4 on both the Billboard 200 and Top R&B/Hip-Hop Albums charts.   On December 9, 2007, Way was sued by William Lyons (aka Souljah Boy of the Home Dogs) who claims he first created the stage name 'Souljah Boy'.   In the 2008 Grammy Awards, Soulja Boy was nominated for a Grammy awards for Best Rap Song with "Crank That (Soulja Boy)".

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10/23/2025, 08:00 PM EDT
JOHNNYSWIM: WHEN THE WAR IS OVER TOUR

JOHNNYSWIM, composed of the magnetic duo Abner Ramirez and Amanda Sudano Ramirez, effortlessly enthralls audiences with their heartfelt melodies, intertwining personal experiences and imaginative tales. Their music is a vibrant tapestry woven with memories, emotions, and dreams, blending singer-songwriter tradition with alternative flair, rock vigor, and pop ambition. Through extensive touring, they've cultivated a devoted fanbase worldwide, connecting deeply with listeners. Critics from NPR, The New York Times, Huffington Post, Nylon, and Rolling Stone have hailed JOHNNYSWIM's blend of Folk, Pop, and Blues as "captivating and unforgettable." Their electrifying performances on shows like The Today Show and The Tonight Show with Jay Leno have enchanted audiences, reinforcing their dynamic presence in the music realm. In their upcoming album When The War Is Over, the band captures a profound journey through personal upheaval and resilience. Inspired by a season marked by intense challenges, Abner and Amanda vulnerably explore themes of physical and mental health, and self-realization through 11 deeply personal tracks. It symbolizes their journey toward healing, serving as a declaration of moving forward. Arriving amidst uncertain times, When The War Is Over is more than a collection of songs—it stands defiantly as a testimony of resilience, vulnerability, and the unbreakable bond between two people navigating life’s storms together.

Contacts

215 N Lumpkin St, Athens, GA 30601, USA