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George's Majestic Lounge

Description

Live-music venue with a bar and happy hour, plus a patio and 2 stages.

Events

September 2025
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09/03/2025, 08:00 PM CDT
American Aquarium (18+ Event)

American AquariumThings Change In the lush tobacco fields of North Carolina where BJ Barham was raised, people work hard. Families stay nearby, toiling and growing together. BJ loves those farms and his tiny Reidsville hometown, but he had to run off and start American Aquarium, a band now beloved by thousands. BJ couldn’t stay. But he couldn’t really leave, either: he’s still singing about the lessons, stories, and lives that define rural America––and him. “I moved to the big city to go to college and fell in love with music,” BJ says. “But half the songs on our record are about small towns––little pieces of my childhood. I’ve had moments where it turns out a piece of broken English my father repeated twice a week is the most accurate way to say something. So I put it in a song.” American Aquarium’s seventh studio album Things Change offers the band’s finest collection of folk-infused Southern rock-and-roll to date. Stacked with BJ’s signature storytelling––always deeply personal but also instantly relatable––the record questions and curses current events, shares one man’s intimate evolution, and leaves listeners with a priceless gift: hope. “In my early 20s, I was not as hopeful,” BJ says. “Now, as I’m getting ready to become a father, I think I have to be hopeful––especially with the situation our country is in now. For her sake, I have to be positive.” He pauses. “Her” is his daughter, due in the spring of 2018. BJ adds, “Being self-aware has always been a blessing and a curse. But that’s what’s always made my songwriting relatable to people. I don’t hold back. I’m almost too honest.” BJ’s candor has fueled American Aquarium’s runaway appeal, visible most clearly in consistently sold-out shows across the country and throughout Europe – between 200 and 250 dates a year. Much has changed for the band and BJ since their acclaimed last effort, Wolves. In 2017, every American Aquarium member save BJ quit the group. American Aquarium has featured about 30 players since BJ founded the outfit in 2006, and while each member has left indelible marks, the band has always been anchored by the literary songs and sometimes roaring, sometimes whispering, drawl of BJ Barham. BJ’s personal life also underwent seismic shifts: He got sober. He got married. Soon, he’ll be a dad. Featuring a new band lineup that includes Shane Boeker on lead guitar, drummer Joey Bybee, bassist Ben Hussey, and Adam Kurtz on pedal steel and electric guitar, as well as a reinvigorated frontman in BJ, Things Change is American Aquarium’s first release on a label after selling thousands of records on their own. “As an artist, your goal is for the newest thing you do to be better than the last. You’re slowly whittling away the bullshit to try and get to the truth,” BJ says. “With this album, I learned how to cut some of that fat so that it’s just truth. It’s our best record.” Recorded at 3CG Records in Tulsa, Oklahoma, Things Change was produced by Grammy-nominated singer-songwriter John Fulbright and features cameos from Americana standouts including John Moreland and Jamie Lin Wilson. Brazen album opener “The World is on Fire” is a richly layered rock-and-roll anthem that documents BJ and his wife’s stunned reaction to the last presidential election. Emotional and conversational, the song taps into widespread feelings of confusion and fear: “She said, ‘What are we going to do? What’s this world coming to?’ / For the first time in my whole life, I stood there speechless.” But what begins as despair builds into defiant faith, as BJ growls a call to action to cap off one of his favorite songs he’s ever written. “I’m complaining about the state of things, and then the third verse almost serves as a challenge to myself: hey, you’re in charge of another human being. You can create change,” he says. Driving rock-and-roller “Crooked + Straight” explores the small-town consequences of questioning religion, and the tightness of family in the face of one member’s rejection. His father’s advice anchors the song. “I come from a blue-collar family. I’m the only one who didn’t go into farming. I learned if you want something, you have to go out and take it. You can’t expect anything from anybody,” BJ says. “You can only go out there and work harder. My dad always said you can outwork anybody else.” Love for hard work and the people who carry it out appears repeatedly throughout Things Change. Guitar-heavy “Tough Folks” is a snarling ode to those with dirt under their fingernails, while bass- and pedal-steel-infused “Work Conquers All” spins a tale in praise and pursuit of Oklahoma’s state motto. The album’s love songs are the kind of achingly beautiful that only comes with maturity and a willingness to expose one’s own flaws. Haunting “Shadows of You” recalls a lover’s flight as the protagonist longs for what he let get away. Gorgeous “Till the Final Curtain Falls” celebrates loyalty and pledges endless devotion. The moving title track takes an often doleful topic––people’s tendency to change––and turns it on its head, tracing BJ’s personal growth and recognizing his now-wife’s steadfast love. BJ’s other two favorite tracks are album standouts. Moving “When We Were Younger Men” addresses the break-up of American Aquarium head on. As BJ professes love for his former bandmates over stripped down acoustic guitar, his voice is honeyed and deep. “It’s an open letter to five guys who I spent eight years of my life with seeing the entire world,” BJ says. “I think anyone who has ever had to walk away from a friendship or has had somebody walk away from them will relate to the song.” Stunner “One Day at a Time” is self-perceptive and vulnerable, detailing BJ’s battles with himself. Even within his career full of well-written gems, the song is a towering accomplishment. “At the end of the day, if you’re not writing songs to affect other people’s lives, you’re in it for the wrong reasons,” BJ says, reflecting on the new album, where he’s been, and where American Aquarium is headed. “Money may come and go. You may never get fame. But if you sit down and write songs to affect people, you can do it your whole life and be happy.”

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09/14/2025, 08:30 PM CDT
That 1 Guy

"The honey tastes sweeter when you anger the bees." The Moon is Disgusting. For Berkeley, CA-based Mike Silverman, better known by his alter ego That 1 Guy, when it comes to making music, necessity is the mother of invention. A classically trained upright bassist who won several jazz scholarships and competitions, Mike became one of the most original and in-demand upright bass players in the 90's progressive jazz scene. At the peak of his powers, Mike was developing and utilizing techniques that were previously thought impossible on the upright bass. Often getting hired as a one-man-rhythm-section, he would function as a bassist, drummer, and entire mini orchestra simultaneously. His resume included studio and live work with jazz tenor legend Dewey Redman and another one of his heroes, Buddy Collette (of Charles Mingus fame). Silverman's selftaught percussive technique"banging the strings and the instrument's body"led him to develop the Magic Pipe. Eventually frustrated by the inability to get all the sounds in his head from the upright bass, he built a system of electronically wired, steel plumbing, shaped somewhat like a harp, with a thick bass string wired from top to bottom and a hole that billows smoke during the climax of his live shows. Adding an electric cowboy boot plugged in and played like an African talking drum and an electrified musical handsaw, Silverman evolved into That 1 Guy, playing everything with his hands and feet while incorporating such disparate influences as Dr. Seuss, Captain Beefheart, Frank Zappa, Rube Goldberg and Stanley Kubrick. He would never play a conventional bass in concert again. That 1 Guy's music travels a similar evolutionary path on his second album, The Moon is Disgusting, from the primitiveness of the Mississippi Delta in the title track to the farthest reaches of outer space in the 14-minute-plus closing aural soundscape, "Rainbow," offering a microcosm best described as more songs about the moon, fruit and transcendence. The result transcends the novelty of its origin, and succeeds on its own terms. As Silverman sings in "Butt Machine," the Magic Pipe, and what it creates, is all a matter of "function over form," which parallels our own evolution as a species, from monkeys grabbing bananas in the trees to a cosmic voyage over the "Rainbow. With the release of The Moon is Disgusting, Silverman continues to consolidate his gains as a live performer. With an audience that ranges from psychedelic warriors to families and folks of all ages, he has played the Magic Pipe in locales as exotic as Istanbul, Scotland and Australia, where he is celebrated as a modern folk hero, selling out theatres, with residents comparing his instrument to the native didgeridoo. At last year's prestigious Edinburgh Fringe Festival, he was presented with the Tapwater Award for Best Musical Act. That 1 Guy has also opened for artists as disparate as Soul Coughing, Saul Williams, Bob Weir & Ratdog, Yo La Tengo, Fabolous, Naughty by Nature and, most memorably, Guns N' Roses guitarist Buckethead, with whom he collaborated on an acclaimed series of shows last year. With his new album, The Moon is Disgusting, That 1 Guy is taking his music and art to the next step, choosing to release it on his own, just as he creates it. The Moon may be Disgusting, but That 1 Guy's music is anything but.

Contacts

519 W Dickson St, Fayetteville, AR 72701, USA