"I knew that I wanted to do this with my life from when I was 16", says Hunter about his musical career. His early recognition of this may have been influenced by the fact that he grew up in homes where his mother repaired guitars for a living in Berkeley, California where he has lived since he was eight years old. Charlie picked up his first guitar when he was twelve years old for $7, and a few years later was taking lessons from Joe Satriani, who at that time was just another guitar teacher. "People can't believe that but I was just another Berkeley kid and every Berkeley kid took lessons from Joe Satriani. He must have had a hundred students. He's a great teacher."
Hunter is constantly touring and trying to grow musically, and spiritually. "I mean I don't want to get all hippy-dippy, but the goal is to reach the spiritual center of whatever music you're searching for. In that search, for me, it's real important to bring in other people and to have it be a real honest scene in which the audience is also part of the music. I know it's a good show depending on how the crowd is getting into the music. I can feel it when they get the groove, and we play off that." But Charlie is also playing music for himself. "I feel a real urgency in life and that's reflected in my music. It's my only creative outlet. It's the only avenue I have to scream about my life and what's happening in other people's world. It's my fail-safe antidote to the world."
It is a mission for Hunter to spread his music, but it is also a mission for him to turn others onto music of the past who might not be exposed to it anywhere else. "For some kids, this is their first exposure to jazz. They see how cool the music is and become intrigued enough to want to check out records by Thelonious Monk, Charles Mingus, and Rahsaan Roland Kirk. If our mission succeeds, hopefully we'll have helped to turn a generation of people onto a much more spiritually and soulfully executed music than what gets played on MTV," says an optimistic Hunter. "It's culturally the duty of the younger generation to help the music evolve. We wouldn't be doing our jobs if we didn't."